recognizing and capturing creative impressions
Many impressions come at less than convenient times – in the shower, while driving, when falling asleep. I don’t think this is coincidence. I think the mind is more open to external impressions, or those that bubble up from within, when it’s otherwise occupied.
They’re flitting, subtle. A bolt of lightning is rarely involved (when one is, it’s usually a warning sign). The challenge is recognition in the midst of preoccupation; implanting a tuning fork in your head that’s sympathetic to the frequency, then reaching out and focusing when it hums.
When an impression presents itself, and I am lucky enough to realize it, I usually have three instincts: I recognize it as something that might be useful, I debate whether it’s worth the hassle of capturing it (stopping the car, climbing out of the shower, turning on the light and waking myself up), and I realize that if I don’t capture it, it will likely be gone forever. Trust the first, squash the second, and believe the third.
I use post-it notes as the means of capture. I’ve created an environment where capture is easy: pens and notepads everywhere. I even use the notepad app on my phone, which is always in my pocket, to capture things when paper isn’t handy. Actually, I used to use the notepad app, but I’d forget the notes, and come across them weeks or months later, unable to sense the imperative power they once possessed. Now, I just send myself a quick email from my phone, and it’s near the top of my inbox when I get back to my computer.
How do you learn to recognize what’s useful? Well, you don’t really. It’s a game of odds. Capture everything. In a good week, maybe you make 100 notes. After you sort through them, maybe 10 or 15 sound like they might be useful in your current piece. Maybe one or two get used.
Some are big ideas, some are little bits of nothingness: a personality trait; a setting detail; the plot of a novel; a facial characteristic. Sort through them. Keep them handy as you work, but don’t try to force them. Don’t throw away what you don’t use. Keep it for later. You may never use it, but the list itself can be a good place to find a new creative impulse, a new beginning.
Some will come because of your current efforts – bits that are apparent because of the piece you’re working on. Others will be random. I find my mind more open to all types of impressions when I am actively working on a piece, but even in the down times, stuff pops up.
If it sounds like a lot of work, it is. And, it isn’t. When you notice the one detail about a person or place that truly captures it, that makes the tuning fork really resonate, it’s thrilling.
Build a capture mechanism that works for you, then trust it. And trust your instincts. The activity will bear fruit.



















